READ THE SCRIPT IMMEDIATELY .
YOU'VE FINISHED THE SCRIPT, NOW CALL THE WRITER IMMEDIATELY AND PRAISE THEM!
BEGIN YOUR PRAISE WITH A VAGUE COMPLIMENT, THEN FOLLOW IT UP WITH SOME SPECIFIC POSITIVE COMMENTS.
SET THE MEETING AND STICK TO IT
THE MEETING - START A VAGUE POSITIVE STATMENT
DO YOUR BEST TO TAKE A POSITIVE ATTITUDE TOWARD THE SCRIPT
GO THROUGH THE ENTIRE SCRIPT PAGE BY PAGE AND TELL THEM SPECIFICALLY ALL THE MOMENTS YOU LIKE!
BEING NICE PAYS OFF - AKA THE BENEFITS OF BEING POSITIVE
WHEN GIVING A SCRIPT CORRECTION BE AS SPECIFIC AS POSSIBLE
DON'T PUSSYFOOT ABOUT WHAT YOU DON'T LIKE.
CONVINCE THE WRITER THERE ACTUALLY IS A PROBLEM
SOMETIMES YOU WILL BE WRONG.
THE WRITER IS WRONG AND REFUSES TO SEE IT. WHAT DO I DO?
DON'T OFFER SOLUTIONS. CONVINCE THE WRITER THERE'S A PROBLEM AND THEN LET THEM COME UP WITH A SOLUTION.
DON'T "SPITBALL" IDEAS. (SEE RULE FIFTEEN)
THE WRITER SHOULD FEEL IT'S THEIR STORY...
BE SPECIFIC ABOUT THE PROBLEM AND VAGUE ABOUT GIVING A SOLUTION
WHAT IF YOU HAVE A GREAT SOLUTION?
THERE'S A PROBLEM AND YOU'VE DROPPED HINTS AND DESCRIBED YOUR GREAT IDEA VAGUELY, BUT THE WRITER CAN'T GRAB THE HINT?
SUBMIT YOUR IDEA AS A CLICHE THAT SHOULD BE AUTOMATICALLY DISMISSED
DANGER! HACK WRITER AHEAD
PREFERABLY HAVE ONLY ONE PERSON IN A ROOM, ONE EXCLUSIVE DEVELOPMENT EXEC FOR EVERY WRITER
13. SOMETIMES YOU WILL BE WRONG.
I wish there was a litmus test for opinions where you could just dump an idea into good/bad chemical vat and see if changes color. You may be right, but you may be wrong. I had a meeting where the studio prez asked me to cut a character from the movie. I resisted, and even integrated that character further into the story. That character ended up winning an Oscar for the actor. For me, when someone tells me there's a problem where I don't see a problem at all, I'm convinced they're stupid and that I'm right. And I am, until they convince me...
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